A World Of Art 7th Edition By Henry M. Sayre – Test Bank
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Sample
Questions
Chapter 3 – Seeing the Value in Art
Multiple Choice Questions
1. In
1863, Edouard Manet’s Déjeuner
sur l’herbe was rejected by the public due to its
2. a)
depiction of a picnic.
3. b) representation
of a woman bathing in the background.
4. c)
modernity.
5. d)
size.
Answer: (c)
Page 46
2. Maya
Ying Lin’s Memorial in Washington, D.C.
3. a)
was controversial at first because of its non-traditional style.
b) was created using classical architecture styles.
c) honors soldiers who died during the war in the Persian Gulf.
d) is a temporary installment.
Answer: (a)
Page 49
3. At
the center of a scandal of the famous Armory Show of 1913 was held in
4. a)
Paris.
5. b)
Philadelphia.
6. c)
New York.
7. d) London.
Answer: (c)
Page 48
4. Considered
a masterpiece of Renaissance art, Michelangelo’s David came under
attack upon first viewing due to its
5. a)
political symbolism.
6. b)
religious symbolism.
7. c)
irregular proportions.
8. d)
subject matter.
Answer: (a)
Page 53
5. Chris
Ofili’s The Holy
Virgin Mary displays two aspects of the artist’s life—his
African heritage and what else?
6. a)
his abstract art training
7. b)
his love of medieval and Renaissance art
8. c)
his study of American popular culture
9. d)
his Catholic upbringing
Answer: (d)
Page 45
6. In Le Déjeuner sur l’herbe,
Manet intentionally rejects traditional painting techniques for what purpose?
7. a) to
surpass the art of Raphael and the Renaissance
8. b) to
call attention to his modernity and break with the past
9. c) to
show how photography affected people’s vision
10. d) to
retain a link with other artists at the Armory Show
Answer: (b)
Page 47
7. Guillermo
Gómez-Peña’s The Temple of Confessions can
be defined as what kind of art?
8. a)
apolitical
9. b)
academic and traditional
10. c) abstract
11. d)
performance and installation
Answer: (d)
Page 55
8. According
to the National Endowment for the Arts what activist role should artists take?
9. a)
They should educate the public about the value of art.
10. b)
They should create art with a political agenda.
11. c)
They should always break with past traditions.
12. d)
They should incite people to vote for art in public spaces.
Answer: (a)
Page 50
9. The
artist’s relation to the public often depends upon how it views
10. a)
the amount charged for their work.
11. b) whether
or not they make representational work.
12. c)
the artist’s background and lifestyle.
13. d)
what the artist is trying to say.
Answer: (d)
Page 46
10. Déjeuner
sur l’herbe was rejected from the annual salon exhibition in Paris in
1863. Where was it exhibited instead?
11. a) at
the Grande Palace
12. b) at
the Salon des Refusés
13. c) at
the Louvre
14. d) It
was never exhibited.
Answer: (b)
Page 46
11. Which
artwork was described as “an explosion in a shingle factory”?
12. a)
Edouard Manet’s Déjeuner
sur l’herbe
13. b)
Marcel Duchamp’s Nude
Descending a Staircase
14. c)
Pablo Picasso’s Women
of Avignon
15. d)
Vincent van Gogh’s Starry
Night
Answer: (b)
Page 48
12. Historically,
why do many people receive new and innovative work with reservation?
13. a)
They are ill informed.
14. b)
They have little context in which to view the work.
15. c)
The work rarely sells to patrons.
16. d)
They prefer representational art.
Answer: (b)
Page 48
13. How
is Maya Ying Lin’s Vietnam
Memorial similar to works by Edouard Manet and Marcel Duchamp?
14. a)
similar subject matter
15. b)
avoidance of color
16. c)
similar types of form
17. d)
All were initially misunderstood by the public.
Answer: (d)
Pages 46-49
14. What
specific component of the National Endowment for the Arts made works of art
available to the general public?
15. a)
the Helms amendment
16. b)
the National Cooperative
17. c)
the Arts in Public Places program
18. d)
the National Gallery
Answer: (c)
Page 50
15. Which
sculptor eventually saw his controversial work destroyed?
16. a)
Richard Serra
17. b)
Carl Andre
18. c)
Andy Warhol
19. d)
Edouard Manet
Answer: (a)
Page 50
16. In
Chapter 3, Sayre discusses two ways of valuing art. What are they?
17. a)
monetary and intrinsic
18. b)
monetary and investment
19. c)
intrinsic and unspoken
20. d)
monumental and monetary
Answer: (a)
Page 43
17. What
is it that motivates most collectors to buy contemporary art?
18. a)
investment in a stable commodity
19. b)
interest in supporting further art and artists
20. c)
the pleasure of owning art and the prestige it confers upon them
21. d)
its recognition as a charitable donation
Answer: (c)
Page 43
18. What
was the inspiration for Marcel Duchamp’s controversial Nude Descending a Staircase?
19. a) a
visit to a shingle factory
20. b)
Navajo blankets
21. c)
the chronophotographs of Etienne-Jules Marey
22. d) a
17th century painting by Raphael
Answer: (c)
Pages 48-49
19. Etienne-Jules
Marey was a pioneer in the then burgeoning art of what?
20. a)
assemblage
21. b)
motion pictures
22. c)
Abstract Expressionism
23. d)
public art
Answer: (b)
Page 49
20. What
motivates artists like Krzysztof Wodiczko, Guillermo Gómez-Peña, and Suzanne
Lacy?
21. a) their
love of traditional painting and sculpture
22. b)
theoretical issues
23. c)
socio-cultural issues
24. d)
process
Answer: (c)
Page 53
21. Guillermo
Gómez-Peña uses _____________as media in his artwork, which he calls
_________________.
22. a)
painting; abstract expressionism
23. b)
sculpture; minimalism
24. c)
painting, sculpture, and performance; “reverse anthropology”
25. d)
clay pottery; inverse anthropology
Answer: (c)
Page 55
Short Answer and Essay Questions
22. The
first exhibition that introduced most Americans to “modern” art was what?
23. What
kind of art does Krzysztof Wodiczko make?
24. What
did Etienne-Jules Marey call his unusual motion photographs of the model in the
black suit?
25. Which
work of art was the first to be installed as a result of the Arts in Public Places
program?
26. Discuss
the work of Guillermo Gómez-Peña. What are the artist’s aims? What does the
artist call his works?
27. What
kind of art was Suzanne Lacy’s Whisper,
The Waves, the Wind? Discuss the political aspects of this work and
the intentions of the artists involved.
Chapter 4 – Line
Multiple Choice Questions
1. The
Starry Night, by Vincent van Gogh, indicates the power of the artist’s
2. a)
expressive line.
3. b)
analytical line.
4. c)
classical line.
5. d) contour
line.
Answer: (a)
Page 68
2. Pat
Steir’s series The
Drawing Lesson Part 1, Line # 1 is about various artists’
3. a)
unique expressive lines
4. b)
similar implied lines
5. c)
classical lines
6. d)
lines of sight
Answer: (a)
Page 64
3. Titian’s Assumption and Consecration of the
Virgin demonstrates the power of:
4. a)
stained glass.
5. b)
color.
6. c)
gender associations with line.
7. d)
lines of sight.
Answer: (d)
Page 62
4. How
is Sol LeWitt’s line best described in his work, Wall Drawing No. 681 C?
5. a)
personal
6. b) romantic
7. c)
analytic
8. d)
soft contour
Answer: (c)
Page 68
5. Hung
Liu’s paintings, such as Three
Fujins, rely on contrasts between two very important elements
6. a)
yin and yang.
7. b)
her love of Mao’s Cultural Revolution and her need to paint.
8. c)
carefully drawn structural lines and uncontrolled drip lines
9. d)
All of the above.
Answer: (c)
Page 72
6. The
organization of visual elements in an artwork is called
7. a) an
outline.
8. b) a
still life.
9. c) a
retrospective.
10. d) a
composition.
Answer: (d)
Page 59
7. Lines
that create a sense of movement and direction are called
8. a)
continuous line.
9. b)
contour lines.
10. c)
implied lines.
11. d)
construction lines.
Answer: (c)
Page 61
8. In House, how does Jaune
Quick-to-See Smith evoke the simplicity of traditional Native American lifestyles
that have disappeared?
9. a)
complex metaphors and dynamic lines
10. b)
simple black outlines and ironic messages
11. c)
kinetic forms and gestural brushstrokes
12. d)
political activism and romantic imagery
Answer: (b)
Page 61
9. What
cultural conventions did Robert Mapplethorpe challenge in his photographic
portrait of female bodybuilder, Lisa Lyon?
10. a)
the role of religion in art
11. b)
the use of classical models in modern photography
12. c)
the belief that line is the most important element in art
13. d)
the traditional representation of the female nude
Answer: (d)
Page 77
10. Hung
Liu studied and taught to paint with a strict classical line that is associated
with the style of
11. a)
the expressionists.
12. b)
abstract expressionism.
13. c)
post-impressionism.
14. d)
Russian Social Realism.
Answer: (d)
Page 72
11. When
a style of line becomes associated as an artist’s work, we say it is
12. a)
autographic.
13. b)
calligraphic.
14. c)
static.
15. d)
generic.
Answer: (a)
Page 65
12. Cezanne’s The Basket of Apples is
full of what appear to be “mistakes” but are actually
13. a)
devices to help the viewer understand the realistic nature of the image.
14. b)
ways to make the composition more simplistic.
15. c)
artistic choices meant to engage the imagination of the viewer.
16. d)
ways to familiarize the viewer with the form.
Answer: (c)
Pages 58-59
13. What
is generally the preferred medium of Andy Goldsworthy?
14. a)
oil paint
15. b)
bronze
16. c)
clay
17. d)
natural materials found on-site
Answer: (d)
Page 60
14. Which
of these visual elements is most obvious in Andy Goldsworthy’s Hazel Leaves?
15. a)
line
16. b)
shape
17. c)
texture
18. d)
space
Answer: (a)
Page 60
15. In
Giacometti’s Man
Pointing, our eye is directed down his right arm and past his
pointed finger to some imagined point of interest beyond. This is an example of
which formal element?
16. a)
contour line
17. b)
texture
18. c)
implied line
19. d)
perspective
Answer: (c)
Page 62
16. Line
can be used to delineate edges of form in space, imply movement, and
17. a)
create value by hatching and cross-hatching
18. b) be
expressive of emotion or an idea
19. c)
create color fields
20. d)
give weight to a drawing
Answer: (a)
Pages 59-60
17. How
can we describe Sol LeWitt’s use of line in Wall Drawing No. 681 C?
18. a)
indiscriminate
19. b)
controlled
20. c)
naturalistic
21. d)
all of the above
Answer: (b)
Page 68
18. Jacques-Louis
David’s The Death of
Socrates is set up in a system of right angles on a grid
structure. How does this affect the content of the piece?
19. a) it
doesn’t, it’s purely coincidental
20. b) it
refers to the passion of the moment
21. c) it
reiterates the rationality of Socrates’ actions
22. d) it
is merely a compositional consideration
Answer: (c)
Pages 74-75
19. Which
of these pieces illustrates the use of “expressive” line?
20. a)
Gaudier-Brzeska’s Female
Nude Back View
21. b)
Van Gogh’s The Starry
Night
22. c)
David’s Study for the
Death of Socrates
23. d) a
& b
Answer: (b)
Page 65
Short Answer and Essay Questions
20. Historically,
many cultural assumptions have been made about line. For example, the concept
of “analytic” or “logical” line is historically associated with what kind of
art?
21. According
to Sayre, how important is line for an artist?
22. What
is the content of Jaue Quick-to-See Smith’s House?
23. Matthew
Ritchie’s No Sign of
the World is a multi-layered drawing that makes use of many
types of lines. What do you think he means when he says, “Often, you’ll see
figures being pierced by multiple fates that are sort of embedded in the lines.
It’s like the lines in your destiny. Who would want a straight-line
destiny? It’d be rotten, right”?
24. Hung
Liu’s Relic 12 juxtaposes
an image of a Chinese courtesan with the characters for “female” and “Nu-Wa” in
a red box in the middle of the canvas. Who is Nu-Wa?
25. Compare
and contrast the use of line in the works of Vincent van Gogh and Sol LeWitt.
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